emel halis official - Genel Bakış
emel halis official - Genel Bakış
Blog Article
Tığ de bu hatmızda “En İyi Türk Halk Müziği Sanat eriları” sarrafiyelığı ile hafızalarımıza haknmış sanat erilarımızdan bahsedeceğiz. İşte Türk halk müziğinin en yüzü sıcak isimleri…
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Turkish nationalist intellectual Ziya Gokalp "stressed the importance of collecting folksongs to create a national music culture and indeed he engaged in the activity of collecting folksongs in Diyarbakir and carried out ethnographic research among Arabs, Kurdish, and Turkish tribes and hoped to establish a small museum of ethnography there.
İbrahim Yumuşakses’ten bayıla bayıla dinlediğimiz eserin notalarını ayrı bir sayfa da hem do re mi şekliyle hem bile sözleriyle beraberinde sizlerle buluşturduk.
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Turkish 'folk music' was hamiş a unified form of music until the state construction of the early Turkish Republic. Degirmenci katışıksız noted that "the history or the reconstruction of Turkish folk music reflects political aspects of the formation of the nation-state and Turkish nationalism.
These are divided into free-forms or improvisations with no obligatory metrical or rhythmic form, known as "Uzun Alım", and those that have a set metrical or rhythmic structure, known birli "Kırık Havalar" (broken melodies). Both hayat also be employed at the same time.
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In 1937, a Turkish state radio was established and the dissemination of Turkish folk music became a priority for those in charge. Musicians were recruited by Utkulu Sarisozen, "who acted as a talent scout, hand-picking regional performers who displayed exceptional talent."[3]